Few have been so successful in interrogating and furthering the intersection between electronic music, visual art, technology and science in the past decade as Max Cooper. Working with collaborators and institutions like the Barbican, Zaha Hadid Architects and Dolby Atmos, Cooper has developed a mixed-media approach to creation and storytelling. His output of electronic exploration makes use of available technology while referencing that which came before it, and does so in a human way.
Max Cooper goes through his latest project “Yearning for the Infinite” which examines the fundamentals of nature, both aesthetically and in terms of his own learning. This question of the human constant quest for knowledge, growth, improvement, materialist, financial and personal gain, was all indicative of the fact that we need the infinite as an endless source of meaning.