Lucrecia Dalt's proposal for the Mies van der Rohe Pavilion retakes some of the architect's ideas that were very present in the construction of the building, especially those that refer to spatial continuity and its open plan structure.
The exploration of borders, separations and divisions, as well as the dialectic tension between the inside and the outside is something that is also very present in "Anticlines", Lucrecia Dalt's latest album. Dazwischen is a project that brings together both architectural and sound research to propose an experience of experiences based on elements that are capable of activating this tension between the inside and outside of the building through sound, and the distribution of the various elements that make it possible, using sound from its potential to question the spatial limits it occupies.
Likewise, this project wants to continue exploring the strong textual component and vocal deconstruction of Lucrecia Dalt's work through what could be called a sort of architectural orality that makes the pavilion an animistic and speaking entity capable of contributing from its material dimension to the flow of consciousness raised by Dazwischen, a German concept that unites the unexpected and the intermediate condition.
Dazwischen is presented as a "sonic sculpture performance" distributed in time in which sound appears from its sculptural and spatial dimension, without establishing a fixed listening point for the audience. Dazwischen will take place at different times during the days of the festival, appearing for the first time in the form of the festival's inaugural concert.
Curated by Sonia Fernández Pan and Lluis Nacenta.
Free admission for any Sónar ticket or Delegate Pass holders.
Lucrecia Dalt's proposal for the Mies van der Rohe Pavilion retakes some of the architect's ideas that were very present in the construction of the building, especially those that refer to spatial continuity and its open plan structure.
The exploration of borders, separations and divisions, as well as the dialectic tension between the inside and the outside is something that is also very present in "Anticlines", Lucrecia Dalt's latest album. Dazwischen is a project that brings together both architectural and sound research to propose an experience of experiences based on elements that are capable of activating this tension between the inside and outside of the building through sound, and the distribution of the various elements that make it possible, using sound from its potential to question the spatial limits it occupies.
Likewise, this project wants to continue exploring the strong textual component and vocal deconstruction of Lucrecia Dalt's work through what could be called a sort of architectural orality that makes the pavilion an animistic and speaking entity capable of contributing from its material dimension to the flow of consciousness raised by Dazwischen, a German concept that unites the unexpected and the intermediate condition.
Dazwischen is presented as a "sonic sculpture performance" distributed in time in which sound appears from its sculptural and spatial dimension, without establishing a fixed listening point for the audience. Dazwischen will take place at different times during the days of the festival, appearing for the first time in the form of the festival's inaugural concert.
Curated by Sonia Fernández Pan and Lluis Nacenta.
Free admission for any Sónar ticket or Delegate Pass holders.
